January 30, 2022

Stuart Freedman has the kind of experience in photojournalism that the word “expansive” hardly does it justice. Born in London, he has been a photographer for just over 30 years now and his photography has been published in the likes of Life, National Geographic, Time, Newsweek, Der Spiegel and The

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mnngful curates and features outstading documentary projects by independent photograhers in our newsletter.
Barry Rosenthal brings our attention to this pertinent issue. His pictures of colourful plastic packaging of crisps, chocolate and other snacks are reminiscent of Andreas Gursky — a startling number of objects creating a pool of words and colours to a dizzying effect. They are found man-made objects that the artist has collected and photographed.
Barry Rosenthal
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Stuart Freedman has the kind of experience in photojournalism that the word “expansive” hardly does it justice. Born in London, he has been a photographer for just over 30 years now and his photography has been published in the likes of Life, National Geographic, Time, Newsweek, Der Spiegel and The
Stuart Freedman
Brian O’Neill is an Illinois-based sociologist and photographer whose work looks at the human condition and society’s relationship to nature. He investigates the various meanings of “industry” and how it affects local communities and environments. Beach Boulevard, his first photographic publication, is a small spiral-bound book in a small edition of 100. Rather than probing the typical documentary question “what’s going on here” it delves deeper and wonders how we actually got to our current sta
Brian O'Neil
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