January 30, 2022

Stuart Freedman has the kind of experience in photojournalism that the word “expansive” hardly does it justice. Born in London, he has been a photographer for just over 30 years now and his photography has been published in the likes of Life, National Geographic, Time, Newsweek, Der Spiegel and The

About the author

See more stories

mnngful curates and features outstading documentary projects by independent photograhers in our newsletter.
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far away from home. A journey which, like all journeys, he was meant to return from. His untimely death was distressing to his young daughter but at the same time it reminded her how fragile human life is — we never know when or how we will meet our demise. The only certainty is that eventually, we will. > Death is a question of containment. For a long time, attempts at understanding felt like trying to empty the ocean
Anne Erhard
Tradition and family-run work of charcoal miners in Cyprus. We are very likely looking at the craft that is to become a thing of the past very soon.
Stefanos Kouratzis
Marko Risovic has turned his lens to his home country of Serbia to illustrate this trend. The images are strikingly different from what one would expect from a typical school photograph — it’s a decrepit environment and there are hardly any smiles. Far from the ideal happy atmosphere to foster happy childhoods and promote learning.
Marko Risovic
See all Stories