January 30, 2022

Nieves Mingueza is a Spanish documentary photographer whose work bridges the gap between the conceptual, personal and political. She often works as a multimedia artist using images as well as text, collage, video and installation. In her own words, Mingueza “explores and activates the archives to address social and gender

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Nieves Mingueza

Artist, based in London. Her conceptually driven and intimate practice often interweaves images with research, documentary photography, archival material, collage, text, film, and installation. Bridging the space between the personal and political, she explores and activates the archives to address social and gender issues. In 2019 her first monograph book was published by IIKKI books editorial. Her work has been exhibited widely including installations at Royal Academy of Arts, Saatchi Gallery, Copeland Gallery, Tate Britain (UK), Fondazione Giorgio Cini (IT) and PhotoEspana (SP), among others. Mingueza’s work has been reviewed by multiple magazines as Der greif, Lenscratch, Blind, L’oeil de la Photographie, Metal, All About Photo, Analog, Yogurt, fisheye, Witty and Lensculture, among others.

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mnngful curates and features outstading documentary projects by independent photograhers in our newsletter.

Front Yard

The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.

The 2011 tsunami caused an unprecedented amount of damage, chaos and grief. Everyone in Japan was affected in one way or another. The Japanese government soon began to erect a gigantic wall at the cost of billions in the northeast region of the country after the earthquake that caused the tsunami.

Pengkuei Ben Huang

Landscape

Azerbajiani Stories

In Azerbaijani Stories the photographer Onur Tatar had created what he calls composite portraits. These are the stories of ten people from Azerbaijan combined with their portraits and images of places of significance. As Tatar says, topography, or the arrangement of both natural and artificial physical features of an area,

Case 3181

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