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Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
Charcoal of Cyprus
Tradition and family-run work of charcoal miners in Cyprus. We are very likely looking at the craft that is to become a thing of the past very soon.
Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
Hors-Jeu (Offside)
When we think of homosexuality, the world had made huge leaps in recent
years. Gay marriage is now legal in the US and the UK, protections from
discrimination exist in law, gay people are allowed to adopt children —
events that we have come to accept as normal, as they should
Last day of school
Marko Risovic has turned his lens to his home country of Serbia to illustrate this trend. The images are strikingly different from what one would expect from a typical school photograph — it’s a decrepit environment and there are hardly any smiles. Far from the ideal happy atmosphere to foster happy childhoods and promote learning.
Butterflies and Caterpillars
The body of work takes a closely intimate look at the contemporary drag scene in the United States. It’s a photographic examination that looks at the notions of identity and how we construct the self in a space different from society’s pre-established gender-specific roles and expectations.
Someone's Rubbish
The project is a case study of what we value, as a society but also as individuals, and draws a comparison between what we once felt useful to buy or take as it served a purpose but it no longer does.
Southtown
Tommy Lee Grimmer is a young photographer based in Great Yarmouth, East England,
which is, in fact, the part of the country which is the furthest East. His
project Southtown explores his hometown, the area where he grew up, its physical
environment and community as well as the change of his perspective from a child
to now an adult.
© Tommy Lee Grimmer | SouthtownThe text accompanying Southtown is nostalgic and
evocative of innocent childhood — Kickpost, a game similar to hide and seek,
late ni
Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
A Rural Lifeline
Joanne Coates is a photographic storyteller from a working-class background.
Based between Yorkshire and Scotland, she depicts everyday stories with a
documentary approach. Apart from this, Coates has also done work in the
commercial sector with clients including the BBC, Vice, Financial Times, The
Guardian, and more.
Coronavirus: A Rural Lifeline in North Yorkshire shows how rural communities,
away from the hub of the big city, managed to cope with isolation when social
distancing became the n





