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Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
Separation
The European Union, or the Council of Europe as it was known when it was founded
in 1949, brought in tremendous change to society permeating its very core. The
benefits were of economic, cultural and security nature but some also argued
that it erased their national identity. One of the biggest improvements, though,
was that one could travel, live and study in a place different from one’s birth
country unhindered — it has never been this easy to meet, fall in love with and
settle in with people
Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
Appalachia. Mountaintops to Moonscapes
Appalachia, Virginia is mainly known for two reasons. The first is that
it’s an incredibly resource-rich territory; it supplies two-thirds of the
nation’s coal reserves. Coal is an outdated energy source, which is
damaging to the environment as it’s slowly being phased throughout the
whole world in
Hope, Despair and Miracles
Roxana Allison is a Mexican-British photographer whose work has a
predominantly socially-driven focus and explores the themes of belonging,
identity and place. She has extensive experience working with young people
and underrepresented communities spanning over 15 years and strives to
achieve social justice through her photography. Longsight is an inner-city
Interior Design in the Age of Extinction
Conrado Velasco is a photographer and art director born and educated in the
Philippines. He currently divides his time between Ireland and Germany and here
we present you his body of work Interior Design in the Age of Extinction.
By Velasco’s own admission, he tends to look at the environment in zoos as a
theatre for the uncanny, exuding the sense of something being ever so slightly
off. They are “illusory spaces” devoid of the natural habitat and surroundings
of its animal occupants — there ar
The day after hell
Sergi Mykhalchu is a Ukrainian Cinematographer, photographer, traveler. The capital of Ukraine Kyiv is been bombed for the last 3 days. Almost 4 million people are normally leave here. Today they all are hiding in the shelters beneath the earth. Kyiv is one of the IT capitals in the world. The biggest software engineering centers which serve companies worldwide are located here. That's how Kyiv looks today. A list of answers to th
After The Fall
After the Fall is a body of work by Stewart Weir documenting the fall of
the Taliban when the city of Herat was taken over by the Northern Alliance.
The images were taken almost 20 years ago, in 2002, shortly after the Twin
Towers in the US fell on September
The place inside the head of False Creek
Amy Romer uses photography to gain understanding of the place that she decided to make her home by choice rather than birth. 5 years ago she moved to Canada and for her project The Place Inside the Head of False Creek she gives us the story of Sen̓áḵw.
