Recent Stories
Subscribe for new stories:
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Submit Your Stories
Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
Ebbing Away of Identity with the Tides
Sushavan Nandy, based in Kolkata, focuses on the climate catastrophe, society,
culture and the crises experienced by humankind collectively. He enjoys working
on long-term photographic projects as it allows him to delve deep and explore
issues in depth rather than simply scratch the surface; he has been published by
the Guardian, CNN, New York Magazine, Vogue India, British Journal of
Photography, and many others.
As a young child Nandy experienced the effects of climate change. He lived in
Jal
Calais Migrant Camp ‘The Jungle’
Back in September 2016, Aaron Chown set out to document the Jungle Camp in Calais where asylum seekers reside before attempting to enter the United Kingdom. The photographer highlighted the humanitarian migration crisis that engulfed the continent 5 years ago and decided it’s appropriate and important to remind us of the situation on the 5th anniversary of the demolition of the camp.
Balaganza
A spotlight on the drag queens in the only gay bar in Lithuania. Forcedly hidden from the public eye in the post-Soviet country, these performances seem too deliberately shocking for the part of the society.
Hors-Jeu (Offside)
When we think of homosexuality, the world had made huge leaps in recent
years. Gay marriage is now legal in the US and the UK, protections from
discrimination exist in law, gay people are allowed to adopt children —
events that we have come to accept as normal, as they should
Missed Care
The referendum on the UK’s membership of the EU was one of the most divisive
moments in modern history — back in 2016 and ever since then, the country felt
more polarised than ever before with a clearly growing sense of “us” and “them”.
People were either unable to or would refuse to see some of the good points that
the other side was making. The Remain side was branded “Project Fear” as they
were providing predictions of what would happen. Some of these didn’t happen,
but others, unfortunately,
Smoking Chefs
Jan Enkelmann lives and works in London where he spends his time observing
people. Many would think that photographers, especially street
photographers, go to the street, take countless images and that’s it, job
done. I would argue that it takes much more than that — many image-makers
would spend more
The day after hell
Sergi Mykhalchu is a Ukrainian Cinematographer, photographer, traveler. The capital of Ukraine Kyiv is been bombed for the last 3 days. Almost 4 million people are normally leave here. Today they all are hiding in the shelters beneath the earth. Kyiv is one of the IT capitals in the world. The biggest software engineering centers which serve companies worldwide are located here. That's how Kyiv looks today. A list of answers to th
Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
Someone's Rubbish
The project is a case study of what we value, as a society but also as individuals, and draws a comparison between what we once felt useful to buy or take as it served a purpose but it no longer does.







