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Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
Birdman
The project attempts to record the slow death of a culture — Pigeon racing as a typically British sport — that has changed beyond recognition since its inception. The photographs are extraordinarily rich and full of detail — the birds bind them together, they are the common denominator, but there is so much more in the images than just the pigeons. I
London '82
Sunil Gupta enrolled at the prestigious Royal College of Art in London in
the early 1980s. Having access to colour negative printing at the college,
the young photographer began to roam the streets of the Big Smoke searching
for the epicentres of queer life — Earl’s Court, King’s Road,
Balaganza
A spotlight on the drag queens in the only gay bar in Lithuania. Forcedly hidden from the public eye in the post-Soviet country, these performances seem too deliberately shocking for the part of the society.
Kibera
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban
settlements in the world which is situated on the periphery of Nairobi,
Kenya’s capital with a population of approximately 2.5 million. Poverty,
disease and crime are not uncommon when discussing Kenya and Africa in
Hope, Despair and Miracles
Roxana Allison is a Mexican-British photographer whose work has a
predominantly socially-driven focus and explores the themes of belonging,
identity and place. She has extensive experience working with young people
and underrepresented communities spanning over 15 years and strives to
achieve social justice through her photography. Longsight is an inner-city
Casitas
The project exposes the living conditions that Puerto Ricans have to endure such as natural catastrophes, limited government support and unstable electric service. Although the series began in 2013, it wasn’t until 2017 when Hurricane Maria hit Puerto Rico that Saldaña realised the series is something more than just a personal project — it is a testament of the residence of the local population.
Charcoal of Cyprus
Tradition and family-run work of charcoal miners in Cyprus. We are very likely looking at the craft that is to become a thing of the past very soon.
On the first day of the Russian invasion
We are contacting photographers and authors who work in Ukraine to help spread
their stories. Here's the first one. Please share and join us in supporting
Ukrainians — the info is below.
On the first day of the invasion, nobody was ready for HOW nightmarish it would
be, nobody believed that this will end up with rocket strikes targeting civilian
neighborhoods of Kiyv and other cities. So, it is where we are now.
Evgeny Maloletka [https://www.evgenymaloletka.com/], a Ukrainian freelance
photojo
The Palaces of Memory
Stuart Freedman has the kind of experience in photojournalism that the word
“expansive” hardly does it justice. Born in London, he has been a
photographer for just over 30 years now and his photography has been
published in the likes of Life, National Geographic, Time, Newsweek, Der
Spiegel and The
