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Recent Stories
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Calais Migrant Camp ‘The Jungle’
Back in September 2016, Aaron Chown set out to document the Jungle Camp in Calais where asylum seekers reside before attempting to enter the United Kingdom. The photographer highlighted the humanitarian migration crisis that engulfed the continent 5 years ago and decided it’s appropriate and important to remind us of the situation on the 5th anniversary of the demolition of the camp.
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
Butterflies and Caterpillars
The body of work takes a closely intimate look at the contemporary drag scene in the United States. It’s a photographic examination that looks at the notions of identity and how we construct the self in a space different from society’s pre-established gender-specific roles and expectations.
Hope, Despair and Miracles
Roxana Allison is a Mexican-British photographer whose work has a
predominantly socially-driven focus and explores the themes of belonging,
identity and place. She has extensive experience working with young people
and underrepresented communities spanning over 15 years and strives to
achieve social justice through her photography. Longsight is an inner-city
Coastal Mammoth
The 2011 tsunami caused an unprecedented amount of damage, chaos and grief.
Everyone in Japan was affected in one way or another. The Japanese
government soon began to erect a gigantic wall at the cost of billions in
the northeast region of the country after the earthquake that caused the
tsunami.
Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
Separation
The European Union, or the Council of Europe as it was known when it was founded
in 1949, brought in tremendous change to society permeating its very core. The
benefits were of economic, cultural and security nature but some also argued
that it erased their national identity. One of the biggest improvements, though,
was that one could travel, live and study in a place different from one’s birth
country unhindered — it has never been this easy to meet, fall in love with and
settle in with people
Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
In-A-Gadda-Da-England
National oddities and peculiarities were the starting point for Edward Thompson’s project In-A-Gadda-Da-England. Born and bred in the U.K., he offers his viewers the perspective of an insider who had spend his whole life surrounded by British culture
