A Wounded Landscape

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Marc Wilson

Documentary photographer working on long-term documentary projects, such as his previous work, completed in 2014, ‘The Last Stand’ and his current work, ‘A wounded landscape’. Marc tells stories through his photography, focusing at times on the landscape itself, and the objects found on and within it, and sometimes combining landscape, documentary, portrait and still life, along with audio recordings of interviews and sounds, to portray the mass sprawling web of the histories and stories he is retelling.

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mnngful curates and features outstading documentary projects by independent photograhers in our newsletter.

On the first day of the Russian invasion

We are contacting photographers and authors who work in Ukraine to help spread their stories. Here's the first one. Please share and join us in supporting Ukrainians — the info is below. On the first day of the invasion, nobody was ready for HOW nightmarish it would be, nobody believed that this will end up with rocket strikes targeting civilian neighborhoods of Kiyv and other cities. So, it is where we are now. Evgeny Maloletka [https://www.evgenymaloletka.com/], a Ukrainian freelance photojo

Evgeniy Maloletka

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Birdman

The project attempts to record the slow death of a culture — Pigeon racing as a typically British sport — that has changed beyond recognition since its inception. The photographs are extraordinarily rich and full of detail — the birds bind them together, they are the common denominator, but there is so much more in the images than just the pigeons. I

Zak Waters

Social Documentary

Reportage

The Steel Plant Mothers

Wilfully ignoring the pleas of the local and national population, the Ilva plant, Europe’s largest steel plant, is portrayed as prioritising profit over people's lives.

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