January 30, 2022

Jan Enkelmann lives and works in London where he spends his time observing people. Many would think that photographers, especially street photographers, go to the street, take countless images and that’s it, job done. I would argue that it takes much more than that — many image-makers would spend more

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mnngful curates and features outstading documentary projects by independent photograhers in our newsletter.
Architecture with religious purposes has quite different functions from residential or commercial. While the latter is mainly functional and economic, the former intends to be grandiose. It’s very much part of its design to make humans feel small, minute and God, or whoever the deity is, appear grand, larger
Stephen Leslie
Stuart Freedman has the kind of experience in photojournalism that the word “expansive” hardly does it justice. Born in London, he has been a photographer for just over 30 years now and his photography has been published in the likes of Life, National Geographic, Time, Newsweek, Der Spiegel and The
Stuart Freedman
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban settlements in the world which is situated on the periphery of Nairobi, Kenya’s capital with a population of approximately 2.5 million. Poverty, disease and crime are not uncommon when discussing Kenya and Africa in
Edwin Ndeke
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