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The Corona Couch
Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.
Mark
I worked with Mark for two years documenting his experience of homelessness, heroin addiction and recovery in south London
Appalachia. Mountaintops to Moonscapes
Appalachia, Virginia is mainly known for two reasons. The first is that
it’s an incredibly resource-rich territory; it supplies two-thirds of the
nation’s coal reserves. Coal is an outdated energy source, which is
damaging to the environment as it’s slowly being phased throughout the
whole world in
The place inside the head of False Creek
Amy Romer uses photography to gain understanding of the place that she decided to make her home by choice rather than birth. 5 years ago she moved to Canada and for her project The Place Inside the Head of False Creek she gives us the story of Sen̓áḵw.
Black Eyed Dog
The author opens up about his own struggles with Black Eyed Dog — A Photographic Healing Process. It was born out of a breakdown, a complete shutdown of his nervous system which made him find himself in a dark, gloomy place, one which he has never visited before.
Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
Smoking Chefs
Jan Enkelmann lives and works in London where he spends his time observing
people. Many would think that photographers, especially street
photographers, go to the street, take countless images and that’s it, job
done. I would argue that it takes much more than that — many image-makers
would spend more
While I Was Sleeping
While I Was Sleeping is the third part of a trilogy of projects that came out of that shift (the other two being After the Fact and Endless Plain). These projects, by and large, use documentary techniques and the resulting images look like documentary photographs, but they are not intended to document an event.
A frightening lull in anticipation of the unknown
Imagine being there, in full absence of clarity what's going to happen next
minute, hour and day. Is there a future? If so, how does it look? The whole
world can not answer this question facing a tyrannous psycho, a hostage of his
own crimes on a global scale, entangled in his own lies. All we admire, adore and pray for the Ukrainian people whose will for freedom is
the most inspiring thing these days.
Ebbing Away of Identity with the Tides
Sushavan Nandy, based in Kolkata, focuses on the climate catastrophe, society,
culture and the crises experienced by humankind collectively. He enjoys working
on long-term photographic projects as it allows him to delve deep and explore
issues in depth rather than simply scratch the surface; he has been published by
the Guardian, CNN, New York Magazine, Vogue India, British Journal of
Photography, and many others.
As a young child Nandy experienced the effects of climate change. He lived in
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