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Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
The 2nd day. What it means to be there
Oleksandr Khomenko [https://www.facebook.com/oleksandr.khomenko] is a Kyiv-based
photographer who shows life in Ukraine as it is in independent media like
hromadske.ua [https://en.hromadske.ua/] and Ukrainer [https://ukrainer.net/en/].
For the second day, people with emergency bags and pets have been staying at the
Kyiv subway stations. The entrance is free.
Many people have found shelter at the ‘Politekhnichnyi Instytut’ metro station —
the hall is full. They are sitting on their suitcases,
Interior Design in the Age of Extinction
Conrado Velasco is a photographer and art director born and educated in the
Philippines. He currently divides his time between Ireland and Germany and here
we present you his body of work Interior Design in the Age of Extinction.
By Velasco’s own admission, he tends to look at the environment in zoos as a
theatre for the uncanny, exuding the sense of something being ever so slightly
off. They are “illusory spaces” devoid of the natural habitat and surroundings
of its animal occupants — there ar
Mark
I worked with Mark for two years documenting his experience of homelessness, heroin addiction and recovery in south London
Fire Corps
The concept (and practice) of voluntary work brings out the best of people.
Volunteers not only don’t get paid, they also give their time, passion and
effort to a cause that they believe is worth fighting for. Johan Brooks
presents us with the story of the Fire Corps — groups
Cinematic Decline
With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
The Sunshiners. Code Red in Green China
Plastic pollution may seem to be something that doesn’t have a monumental
impact on our daily lives right now, but issues like climate change and
pollution do not take a gradual curve. They do not have to slowly
deteriorate, kindly giving us enough time to notice that something is
Hope, Despair and Miracles
Roxana Allison is a Mexican-British photographer whose work has a
predominantly socially-driven focus and explores the themes of belonging,
identity and place. She has extensive experience working with young people
and underrepresented communities spanning over 15 years and strives to
achieve social justice through her photography. Longsight is an inner-city
Hasankeyf
Hasankeyf is an ancient town in Southeastern Turkey, located along the Tigris
river in the Batman province. It was established in the 18th century BC and in
1981, almost 3600 years later, it was declared a natural conservation area by
Turkey. In spite of this, it’s been regularly flooded as part of a dam-building
project, regardless of the concerns raised by the local population and the
international community.
Hussain Ali is a British-Iraqi documentary photographer who is interested in
capturi
After The Fall
After the Fall is a body of work by Stewart Weir documenting the fall of
the Taliban when the city of Herat was taken over by the Northern Alliance.
The images were taken almost 20 years ago, in 2002, shortly after the Twin
Towers in the US fell on September
