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"The situation is fucked up, but people are fucking great!"
Kharkiv, Ukraine on the first day of Russian invasion
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
Someone's Rubbish
The project is a case study of what we value, as a society but also as individuals, and draws a comparison between what we once felt useful to buy or take as it served a purpose but it no longer does.
Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
The Invisible Wall
Paco Poyato brings us back a few decades to the times when the Berlin Wall divided Berlin and, subsequently, Germany into two parts — East and West.
End of Olympics
The biggest sports event on the planet turns into a mixture of political and public health disputes, yet not covered enough by the established media
Kibera
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban
settlements in the world which is situated on the periphery of Nairobi,
Kenya’s capital with a population of approximately 2.5 million. Poverty,
disease and crime are not uncommon when discussing Kenya and Africa in
After The Fall
After the Fall is a body of work by Stewart Weir documenting the fall of
the Taliban when the city of Herat was taken over by the Northern Alliance.
The images were taken almost 20 years ago, in 2002, shortly after the Twin
Towers in the US fell on September
Presence in the Absence
The story takes desolated buildings and structures as its starting point. Devoid of human presence, albeit designed and constructed by humans, these are places that were once the product of a utopian vision.
Beach Boulevard
Brian O’Neill is an Illinois-based sociologist and photographer whose work looks
at the human condition and society’s relationship to nature. He investigates the
various meanings of “industry” and how it affects local communities and
environments. Beach Boulevard, his first photographic publication, is a small
spiral-bound book in a small edition of 100. Rather than probing the typical
documentary question “what’s going on here” it delves deeper and wonders how we
actually got to our current sta
