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Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far away from home. A journey which, like all journeys, he was meant to return from. His untimely death was distressing to his young daughter but at the same time it reminded her how fragile human life is — we never know when or how we will meet our demise. The only certainty is that eventually, we will. > Death is a question of containment. For a long time, attempts at understanding felt like trying to empty the ocean
Anne Erhard
Brian O’Neill is an Illinois-based sociologist and photographer whose work looks at the human condition and society’s relationship to nature. He investigates the various meanings of “industry” and how it affects local communities and environments. Beach Boulevard, his first photographic publication, is a small spiral-bound book in a small edition of 100. Rather than probing the typical documentary question “what’s going on here” it delves deeper and wonders how we actually got to our current sta
Brian O'Neil
Tommy Lee Grimmer is a young photographer based in Great Yarmouth, East England, which is, in fact, the part of the country which is the furthest East. His project Southtown explores his hometown, the area where he grew up, its physical environment and community as well as the change of his perspective from a child to now an adult. © Tommy Lee Grimmer | SouthtownThe text accompanying Southtown is nostalgic and evocative of innocent childhood — Kickpost, a game similar to hide and seek, late ni
Tommy Lee Grimmer
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
Ashima Yadava
Where the food we buy in the supermarket comes from, how it is produced and how it can be?
Timo Knorr
Barry Rosenthal brings our attention to this pertinent issue. His pictures of colourful plastic packaging of crisps, chocolate and other snacks are reminiscent of Andreas Gursky — a startling number of objects creating a pool of words and colours to a dizzying effect. They are found man-made objects that the artist has collected and photographed.
Barry Rosenthal
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Paco Poyato brings us back a few decades to the times when the Berlin Wall divided Berlin and, subsequently, Germany into two parts — East and West.
Paco Poyato
Stuart Freedman has the kind of experience in photojournalism that the word “expansive” hardly does it justice. Born in London, he has been a photographer for just over 30 years now and his photography has been published in the likes of Life, National Geographic, Time, Newsweek, Der Spiegel and The
Stuart Freedman
Great Britain, being an island, is surrounded by water. The outlier of Europe, the Brits have always had a thing for their coastal towns. Bournemouth, Brighton, the Kent coastline, are the ones that come to mind first. The sea is hugely important for many industries — tourism, fishing, transport. Often mocked
Alex Micu
The story takes desolated buildings and structures as its starting point. Devoid of human presence, albeit designed and constructed by humans, these are places that were once the product of a utopian vision.
Karin van de Wiel