The place inside the head of False Creek

The referendum on the UK’s membership of the EU was one of the most divisive moments in modern history — back in 2016 and ever since then, the country felt more polarised than ever before with a clearly growing sense of “us” and “them”. People were either unable to or would refuse to see some of the good points that the other side was making. The Remain side was branded “Project Fear” as they were providing predictions of what would happen. Some of these didn’t happen, but others, unfortunately,

The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.

Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.