Dirt Road

The body of work takes a closely intimate look at the contemporary drag scene in the United States. It’s a photographic examination that looks at the notions of identity and how we construct the self in a space different from society’s pre-established gender-specific roles and expectations.

Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.

Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far away from home. A journey which, like all journeys, he was meant to return from. His untimely death was distressing to his young daughter but at the same time it reminded her how fragile human life is — we never know when or how we will meet our demise. The only certainty is that eventually, we will. > Death is a question of containment. For a long time, attempts at understanding felt like trying to empty the ocean