May 18, 2023

National oddities and peculiarities were the starting point for Edward Thompson’s project In-A-Gadda-Da-England. Born and bred in the U.K., he offers his viewers the perspective of an insider who had spend his whole life surrounded by British culture

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The project is a case study of what we value, as a society but also as individuals, and draws a comparison between what we once felt useful to buy or take as it served a purpose but it no longer does.
Chloe Juno
The body of work takes a closely intimate look at the contemporary drag scene in the United States. It’s a photographic examination that looks at the notions of identity and how we construct the self in a space different from society’s pre-established gender-specific roles and expectations.
Ardelle Schneider
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
Zak Dimirtov
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