Zak Dimirtov

May 18, 2023

Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.

About the author

Zak Dimirtov
Photographic artist, writer and educator Having successfully completed an MA in Photography Arts at the University of Westminster and a BA (Hons) Photography at the Arts University Bournemouth, he is now pursuing a PGCE in Art and Design at UCL Institute of Education. Zak’s practice is concerned with memory, mortality, loss, and time. He has worked at various art schools, universities, galleries and photo labs as well as contributed to written publications (ASX, Der Greif, Paper Journal, and others).
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Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
Zak Dimirtov
Social Documentary
Kibera
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban settlements in the world which is situated on the periphery of Nairobi, Kenya’s capital with a population of approximately 2.5 million. Poverty, disease and crime are not uncommon when discussing Kenya and Africa in
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With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
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