Members
Price
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Reset Filters
Selected photodocumentary stories by our members.

Join the newsletter:
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
To submit your story pleaseSign up
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
A photographic exploration of family relationships and an inquiry into connection, history and the fragility of the tie between mother and daughter.
Cheryl Newman
Legacy is a response to the impact of the year of City of Culture 2017 in her hometown of Hull, within the city’s spaces and places. The work is a synthesis of careful research done within the various communities and organizations involved that were affected during and after the impact of the year of culture.
Verity Adriana
National oddities and peculiarities were the starting point for Edward Thompson’s project In-A-Gadda-Da-England. Born and bred in the U.K., he offers his viewers the perspective of an insider who had spend his whole life surrounded by British culture
Edward Thompson
The concept (and practice) of voluntary work brings out the best of people. Volunteers not only don’t get paid, they also give their time, passion and effort to a cause that they believe is worth fighting for. Johan Brooks presents us with the story of the Fire Corps — groups
Johan Brooks
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
Ashima Yadava
After the Fall is a body of work by Stewart Weir documenting the fall of the Taliban when the city of Herat was taken over by the Northern Alliance. The images were taken almost 20 years ago, in 2002, shortly after the Twin Towers in the US fell on September
Stewart Weir
Marko Risovic has turned his lens to his home country of Serbia to illustrate this trend. The images are strikingly different from what one would expect from a typical school photograph — it’s a decrepit environment and there are hardly any smiles. Far from the ideal happy atmosphere to foster happy childhoods and promote learning.
Marko Risovic
Where the food we buy in the supermarket comes from, how it is produced and how it can be?
Timo Knorr
Sunil Gupta enrolled at the prestigious Royal College of Art in London in the early 1980s. Having access to colour negative printing at the college, the young photographer began to roam the streets of the Big Smoke searching for the epicentres of queer life — Earl’s Court, King’s Road,
Sunil Gupta
Soul Calling is a collection of photographs taken between 2016 and 2019 along the coast of Northeast Japan.
Pengkuei Ben Huang

Members working in the

Social Documentary

genre

John Angerson
UK
,

Documentary and portraiture photographer, based in London He started his career in the early 1990s, covering the fall of the Berlin Wall and the changing geopolitical landscape of Eastern Europe. Since then, his work has continued to explore the different languages of documentary photography, focusing on how specific communities form, shift and develop. His projects have garnered critical acclaim and have been exhibited at major art institutions in the UK and overseas.

Stewart Weir
UK
,

"I began my journey into the world of photography aged 15 when I received a Pentax ME Super camera from my father for Christmas. I was hooked but drifted away from photography after leaving school. I returned to photography in 1993 after being uninspired by having a ‘normal’ job. I'm self taught and have an attitude of ‘just do it’ regardless of people saying you can't. Over my career I've shot most genres of photography from sport to documentary, portraits, weddings, travel, news, magazine and conflict. I've produced several long term stories ranging from 2 to 10 years."

Sabrina Jeblaoui
DE
,
Berlin

Documentary and street portrait photographer based in Berlin. Started discovering the role electronic and techno music played within the party scene in Berlin since she moved there in 2017 and has decided to take photographs of people in front of clubs. NachtClubsBerlin is Sabrina’s first complete photo project. It gathered more than 28K followers on its Instagram account and caught the attention of several magazines, newspapers, as well as TV channels such as ZDF MorgenMagazin, Tagesspiegel, Ze.tt, Mix Mag, Vice, and more.

Hannah Cauhépé
ES
,
Barcelona

Photographer, videographer, photo editor and writer based in Barcelona and working for assignments worldwide.

Callum O'Keefe
UK
,
Bristol

Documentary photographer focused on the relation between people and place. Building the base of my portfolio on live music, he has recently graduated with a First Class Honours in Photography from The University West of England.

Ashima Yadava
US
,
San Franscisco

Photographer based in San Franscisco, California Born in New Delhi, India, Ashima now lives in San Francisco, California. She works in digital and analog methods including medium, and 4x5 large format. With the camera as her conduit, Ashima believes in art as a means to social activism and reform. Her work is rooted in documentary practice with a keen focus on issues of gender equality, race, and social justice. Like If Hands Could Speak, which deals with domestic violence in the South Asian community in the Bay Area.

Laura Pannack
UK
,
London

London-based photographic artist. Renowned for her portraiture and social documentary work, she seeks to explore the complex relationship between subject and photographer. Her work has been extensively exhibited and published worldwide, including at The National Portrait Gallery, The Houses of Parliament, Somerset House and the Royal Festival Hall in London.

Cheryl Newman
UK
,
London

Artist and independent curator of photography living in London. She recently completed and MA in Photography Arts at the University of Westminster (Distinction) Her personal practice explores her history though archive and family images and the environment of memory For the past three years she has been working with the Gaia Foundation to commission and curate We Feed the World, a photographic global adventure documenting the lives of family and peasant farmers for an exhibition which premiered at the Barge house Gallery, London, in Autumn 2018. She curated 209 Women, one of the highest profile exhibitions of 2018 in which all the female MP’s in the UK Parliament were photographed by women photographers to celebrate 100 years of suffrage and which moved to Open Eye Gallery Liverpool in February 2019 and is now part of the Parliamentary Art collection. For more than fifteen years she was the Photography Director of the award-winning Telegraph Magazine where she raised the profile of the magazine and commissioned intelligent and inventive photography worldwide.