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Calais Migrant Camp ‘The Jungle’
Back in September 2016, Aaron Chown set out to document the Jungle Camp in Calais where asylum seekers reside before attempting to enter the United Kingdom. The photographer highlighted the humanitarian migration crisis that engulfed the continent 5 years ago and decided it’s appropriate and important to remind us of the situation on the 5th anniversary of the demolition of the camp.
Holidays — The Wait
Floriana Avellino captures the joy of going on a holiday and its little, often unnoticed moments in her project The Wait. The body of work focuses in particular on the moments before departure, which are often ignored as the main part of the “real” holiday tends to be what interests most.
On the first day of the Russian invasion
We are contacting photographers and authors who work in Ukraine to help spread
their stories. Here's the first one. Please share and join us in supporting
Ukrainians — the info is below.
On the first day of the invasion, nobody was ready for HOW nightmarish it would
be, nobody believed that this will end up with rocket strikes targeting civilian
neighborhoods of Kiyv and other cities. So, it is where we are now.
Evgeny Maloletka [https://www.evgenymaloletka.com/], a Ukrainian freelance
photojo
Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
Butterflies and Caterpillars
The body of work takes a closely intimate look at the contemporary drag scene in the United States. It’s a photographic examination that looks at the notions of identity and how we construct the self in a space different from society’s pre-established gender-specific roles and expectations.
Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
Fire Corps
The concept (and practice) of voluntary work brings out the best of people.
Volunteers not only don’t get paid, they also give their time, passion and
effort to a cause that they believe is worth fighting for. Johan Brooks
presents us with the story of the Fire Corps — groups
The Palaces of Memory
Stuart Freedman has the kind of experience in photojournalism that the word
“expansive” hardly does it justice. Born in London, he has been a
photographer for just over 30 years now and his photography has been
published in the likes of Life, National Geographic, Time, Newsweek, Der
Spiegel and The
Submerged Landscapes
According to the Climate Central app, Thanet, the UK is likely to become an island again within the next decade. In this ongoing project, King documented the affected areas before they are submerged, using the materiality of the sea within the production of the work.
I want it all to go back to the way it was before
Pippa Healy is a photographer, artist and printmaker based in London. Her
raw, diaristic practice responds to events that have occurred in her life,
therefore it has a unique sense of authenticity. Healy’s work references
loss, grief, longing and violence and it’s rather difficult to pigeonhole
as every
