Antiques of the Future

May 18, 2023

The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.

Recent Stories

While I Was Sleeping
While I Was Sleeping is the third part of a trilogy of projects that came out of that shift (the other two being After the Fact and Endless Plain). These projects, by and large, use documentary techniques and the resulting images look like documentary photographs, but they are not intended to document an event.
Tony Fouhse
Missed Care
The referendum on the UK’s membership of the EU was one of the most divisive moments in modern history — back in 2016 and ever since then, the country felt more polarised than ever before with a clearly growing sense of “us” and “them”. People were either unable to or would refuse to see some of the good points that the other side was making. The Remain side was branded “Project Fear” as they were providing predictions of what would happen. Some of these didn’t happen, but others, unfortunately,
Gianluca Urdiroz
Casitas
The project exposes the living conditions that Puerto Ricans have to endure such as natural catastrophes, limited government support and unstable electric service. Although the series began in 2013, it wasn’t until 2017 when Hurricane Maria hit Puerto Rico that Saldaña realised the series is something more than just a personal project — it is a testament of the residence of the local population.
Annie Y Saldana
St Paul's Cathedral — The Central Spot Of All The World
Architecture with religious purposes has quite different functions from residential or commercial. While the latter is mainly functional and economic, the former intends to be grandiose. It’s very much part of its design to make humans feel small, minute and God, or whoever the deity is, appear grand, larger
Stephen Leslie
The Palaces of Memory
Stuart Freedman has the kind of experience in photojournalism that the word “expansive” hardly does it justice. Born in London, he has been a photographer for just over 30 years now and his photography has been published in the likes of Life, National Geographic, Time, Newsweek, Der Spiegel and The
Stuart Freedman
Hors-Jeu (Offside)
When we think of homosexuality, the world had made huge leaps in recent years. Gay marriage is now legal in the US and the UK, protections from discrimination exist in law, gay people are allowed to adopt children — events that we have come to accept as normal, as they should
Hannah Cauhépé
Cinematic Decline
With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
Philip Butler
Balaganza
A spotlight on the drag queens in the only gay bar in Lithuania. Forcedly hidden from the public eye in the post-Soviet country, these performances seem too deliberately shocking for the part of the society.
Milda Vysniauskaite
Southtown
Tommy Lee Grimmer is a young photographer based in Great Yarmouth, East England, which is, in fact, the part of the country which is the furthest East. His project Southtown explores his hometown, the area where he grew up, its physical environment and community as well as the change of his perspective from a child to now an adult. © Tommy Lee Grimmer | SouthtownThe text accompanying Southtown is nostalgic and evocative of innocent childhood — Kickpost, a game similar to hide and seek, late ni
Tommy Lee Grimmer
Submerged Landscapes
According to the Climate Central app, Thanet, the UK is likely to become an island again within the next decade. In this ongoing project, King documented the affected areas before they are submerged, using the materiality of the sea within the production of the work.
Melanie King

mnngful Originals

mnngful Members

Francesca Cao
IT
,
Milano

Francesca Cao has been published and exposed in Europe and United States. In her personal work constantly looks for new ways of telling stories to stimulate the aesthetic reflection on photography, and emotionally move the viewer. Her first book Temporary Life is published by Postcart in 2020.

Darren O'Brien
UK
,
Sheffield

Documentary and editorial photographer based in Sheffield, UK. He graduated in 2019 with an MA Photography from Falmouth University. Darren's Work has regularly featured in The Guardian, The Daily Telegraph, The Financial Times, The Sunday Mirror, Big Issue North, Schweitzer illustrate, Vice Magazine and many others.

Louis Sartori
UK
,
London

Independent Photojournalist and Writer focusing on matters of cultural obscurity, documenting groups/spaces on the borders of popular recognition.

Alex Micu
UK
,
London

London-based, Romanian-born photographer working in the documentary and reportage space. With an honest, raw and often timid approach, Alex creates images for both editorial and commercial clients. His work was published in Evening Standard, Portrait of Humanity, Rankin's 2020, Cheese Magazine and Postall.

Rik Moran
US
,

Tommy Lee Grimmer
UK
,
Norfolk

Photographer based in Norfolk, East of England. Predominantly working on short and long-term personal projects as well as accepting regular commissions of all sizes and budgets. His work specialises in representative documentary, personal identities and the relationships we form with different aspects of our lives.

Stefanos Kouratzis
CY
,
Nicosia

Multidisciplinary photographer living and working in Cyprus since 2000. At the age of 13, he develops a strong interest in Photography when he was handed a Kodak Instamatic. He loved so much the way that light was captured on film that he decided he wants to be a photographer. Due to developing and printing costs, he starts drawing rough sketches, prior shooting, and experimenting with different medium sizes, cameras and techniques. His works can be found in books and private collections in Cyprus, Greece, Spain and Brazil.

Cheryl Newman
UK
,
London

Artist and independent curator of photography living in London. She recently completed and MA in Photography Arts at the University of Westminster (Distinction) Her personal practice explores her history though archive and family images and the environment of memory For the past three years she has been working with the Gaia Foundation to commission and curate We Feed the World, a photographic global adventure documenting the lives of family and peasant farmers for an exhibition which premiered at the Barge house Gallery, London, in Autumn 2018. She curated 209 Women, one of the highest profile exhibitions of 2018 in which all the female MP’s in the UK Parliament were photographed by women photographers to celebrate 100 years of suffrage and which moved to Open Eye Gallery Liverpool in February 2019 and is now part of the Parliamentary Art collection. For more than fifteen years she was the Photography Director of the award-winning Telegraph Magazine where she raised the profile of the magazine and commissioned intelligent and inventive photography worldwide.

Pippa Healy
UK
,
London

Artist based in London Her practice responds to her personal history, to events which have impacted on her life. Her handmade ‘Zines’, raw and diaristic in style are central to her practice. Themes encompassing loss, longing, violence and grief are frequently referenced. Her work is held in private collections and has been exhibited in group and solo shows in the UK, France, Japan, Spain, Portugal, Lithuania, Sardinia, Turkey and Italy. Her zines have been exhibited at numerous exhibitions and in 2019 at Les Rencontres Arles Photo text Award. The books are sold in The Photographers Gallery in London, Cent Quatre in Paris and The Library Project in Dublin. The zines are also held at The Martin Parr Foundation in Bristol, The visual Library in New York and The Self publish Be Happy Library.

Laura Pannack
UK
,
London

London-based photographic artist. Renowned for her portraiture and social documentary work, she seeks to explore the complex relationship between subject and photographer. Her work has been extensively exhibited and published worldwide, including at The National Portrait Gallery, The Houses of Parliament, Somerset House and the Royal Festival Hall in London.

Marko Risovic
RS
,
Belgrade

Documentary photographer based in Belgrade. After working for years in traditional photojournalism outlets, he became a freelancer in 2010. Since then he has concentrated on long-term projects about youth, social (in)justice and distribution of power in the Balkans. Marko is interested in intimate narratives about vulnerable social groups and individuals that reflect a wider social discourse. He believes that the language of photography storytelling still can shape the perception of the wider population and decision-makers, thus contributing to the continuous search for a better, more equal and sustainable world. Marko was chosen as one of the participants in the World Press Photo Masterclass for young photographers from Southeastern Europe in 2010. He has been a regular contributor to National Geographic Serbia magazine since 2007, and a contributing photographer to The New York Times and Le Monde for years. Marko is founder of the Serbian photo collective Kamerades and a member of The Association of Serbian Applied Artists and Designers (ULUPUDS). He holds an MA degree in Photojournalism and Documentary Photography from the University of the Arts in London. Marko is currently in the Mentor Program of VII photo agency.

Nieves Mingueza
ES
,

Artist, based in London. Her conceptually driven and intimate practice often interweaves images with research, documentary photography, archival material, collage, text, film, and installation. Bridging the space between the personal and political, she explores and activates the archives to address social and gender issues. In 2019 her first monograph book was published by IIKKI books editorial. Her work has been exhibited widely including installations at Royal Academy of Arts, Saatchi Gallery, Copeland Gallery, Tate Britain (UK), Fondazione Giorgio Cini (IT) and PhotoEspana (SP), among others. Mingueza’s work has been reviewed by multiple magazines as Der greif, Lenscratch, Blind, L’oeil de la Photographie, Metal, All About Photo, Analog, Yogurt, fisheye, Witty and Lensculture, among others.

David Lintern
UK
,
Kingussie

Photojournalist and writer working across the outdoor and environmental sectors, with over a decade of experience creating stories for organisations and magazines including National Trust for Scotland, Visit Cairngorms, John Muir Trust, BBC, the Guardian, Slow Ways as well as most of the UK outdoor press. I’m particularly interested in the links between place and people, and between natural and cultural history. David also works privately as a photo tutor and guide across the Highlands, and the author of The Big Rounds.

Stuart Freedman
UK
,

Commercial, editorial and travel photographer based between New Delhi and London working worldwide on a range of consumer brands with/without art direction.

Brian O'Neil
US
,

Sociologist, currently a Postdoctoral Research Scholar in the School of Ocean Futures in the College of Global Futures at Arizona State University. In addition, I am affiliated with the Ocean Nexus Center at the University of Washington’s College of the Environment’s Ocean Nexus Fellows Program.

Stories worth seeing

mnngful is a platform supporting independent documentary photography & photojournalism.

Thanks to passionate storytellers, we learn about matters that otherwise stay neglected. Stories that matter, but have not been covered enough are captured and told by passion-driven photographers and journalists.

They create because they care about the world they live in and tell us about matters beyond our eyesight.Their work is often driven by pure enthusiasm, fuelled by own beliefs and dreams for a better world. That's why such independent work is worth special attention.

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