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Interior Design in the Age of Extinction
Conrado Velasco is a photographer and art director born and educated in the
Philippines. He currently divides his time between Ireland and Germany and here
we present you his body of work Interior Design in the Age of Extinction.
By Velasco’s own admission, he tends to look at the environment in zoos as a
theatre for the uncanny, exuding the sense of something being ever so slightly
off. They are “illusory spaces” devoid of the natural habitat and surroundings
of its animal occupants — there ar
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
Coastal Mammoth
The 2011 tsunami caused an unprecedented amount of damage, chaos and grief.
Everyone in Japan was affected in one way or another. The Japanese
government soon began to erect a gigantic wall at the cost of billions in
the northeast region of the country after the earthquake that caused the
tsunami.
The body keeps the score
The Body Keeps the Score takes its mysterious title from a book he found on his mother’s shelf when he was clearing out her house after her death. It refers to how trauma, something most would consider to have purely psychological consequences, can actually be internalised and transpire within the physical body rather than just the mind.
Someone's Rubbish
The project is a case study of what we value, as a society but also as individuals, and draws a comparison between what we once felt useful to buy or take as it served a purpose but it no longer does.
Holidays — The Wait
Floriana Avellino captures the joy of going on a holiday and its little, often unnoticed moments in her project The Wait. The body of work focuses in particular on the moments before departure, which are often ignored as the main part of the “real” holiday tends to be what interests most.
The Corona Couch
Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.
Hope, Despair and Miracles
Roxana Allison is a Mexican-British photographer whose work has a
predominantly socially-driven focus and explores the themes of belonging,
identity and place. She has extensive experience working with young people
and underrepresented communities spanning over 15 years and strives to
achieve social justice through her photography. Longsight is an inner-city
Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
