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Recent Stories
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Black Eyed Dog
The author opens up about his own struggles with Black Eyed Dog — A Photographic Healing Process. It was born out of a breakdown, a complete shutdown of his nervous system which made him find himself in a dark, gloomy place, one which he has never visited before.
The Palaces of Memory
Stuart Freedman has the kind of experience in photojournalism that the word
“expansive” hardly does it justice. Born in London, he has been a
photographer for just over 30 years now and his photography has been
published in the likes of Life, National Geographic, Time, Newsweek, Der
Spiegel and The
Coastal Mammoth
The 2011 tsunami caused an unprecedented amount of damage, chaos and grief.
Everyone in Japan was affected in one way or another. The Japanese
government soon began to erect a gigantic wall at the cost of billions in
the northeast region of the country after the earthquake that caused the
tsunami.
Fire Corps
The concept (and practice) of voluntary work brings out the best of people.
Volunteers not only don’t get paid, they also give their time, passion and
effort to a cause that they believe is worth fighting for. Johan Brooks
presents us with the story of the Fire Corps — groups
Merlion Memories
Darren O’Brien’s project takes this fragile idea of the nature of memory as its starting point. He accompanied his partner on her return to Singapore, where she spent six years as a child, eighteen years later.
Southtown
Tommy Lee Grimmer is a young photographer based in Great Yarmouth, East England,
which is, in fact, the part of the country which is the furthest East. His
project Southtown explores his hometown, the area where he grew up, its physical
environment and community as well as the change of his perspective from a child
to now an adult.
© Tommy Lee Grimmer | SouthtownThe text accompanying Southtown is nostalgic and
evocative of innocent childhood — Kickpost, a game similar to hide and seek,
late ni
Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
Beach Boulevard
Brian O’Neill is an Illinois-based sociologist and photographer whose work looks
at the human condition and society’s relationship to nature. He investigates the
various meanings of “industry” and how it affects local communities and
environments. Beach Boulevard, his first photographic publication, is a small
spiral-bound book in a small edition of 100. Rather than probing the typical
documentary question “what’s going on here” it delves deeper and wonders how we
actually got to our current sta
Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
The place inside the head of False Creek
Amy Romer uses photography to gain understanding of the place that she decided to make her home by choice rather than birth. 5 years ago she moved to Canada and for her project The Place Inside the Head of False Creek she gives us the story of Sen̓áḵw.
