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Calais Migrant Camp ‘The Jungle’
Back in September 2016, Aaron Chown set out to document the Jungle Camp in Calais where asylum seekers reside before attempting to enter the United Kingdom. The photographer highlighted the humanitarian migration crisis that engulfed the continent 5 years ago and decided it’s appropriate and important to remind us of the situation on the 5th anniversary of the demolition of the camp.
The losses to be never ever forgiven
No words and tears are enough.
Evgeny Maloletka [https://www.evgenymaloletka.com/], a Ukrainian freelance
photojournalist based in Kyiv, tells the story of the Mariupol attack via the
death of a small girl who was brutally attacked with her parents.
A list of answers to the questions "What can I do to help?"
[https://www.mnngful.com/stand-with-ukraine]
Reached Ukrainian friends, checked the sources and give you a list of options,
direct links to organizations where to donate.
The list is bei
Cinematic Decline
With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
Tea Women
Tea is one of the major discoveries from the East which completely transformed Western economies a few centuries ago. Unfortunately, as with many industries producing goods, we enjoy and can barely live without, exploitation is rife.
Legacy
Legacy is a response to the impact of the year of City of Culture 2017 in her hometown of Hull, within the city’s spaces and places. The work is a synthesis of careful research done within the various communities and organizations involved that were affected during and after the impact of the year of culture.
The Corona Couch
Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.
Kibera
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban
settlements in the world which is situated on the periphery of Nairobi,
Kenya’s capital with a population of approximately 2.5 million. Poverty,
disease and crime are not uncommon when discussing Kenya and Africa in
Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
NachtClubsBerlin
This project documents today’s techno culture in Berlin, and shows how it has been transformed into a mainstream culture that attracts millions of tourists to the city each year.
Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
