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Recent Stories
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Dirt Road
The story covers the famous Camino de Santiago de Compostela network of
pilgrims’ ways that lead to the shrine of St. James the Great in Northern
Spain. It’s a personal account of the photographer’s journey which lasted
over 1000km throughout the spiritual passage.
One Hundred Yards From Home
A photographic exploration of family relationships and an inquiry into connection, history and the fragility of the tie between mother and daughter.
Southtown
Tommy Lee Grimmer is a young photographer based in Great Yarmouth, East England,
which is, in fact, the part of the country which is the furthest East. His
project Southtown explores his hometown, the area where he grew up, its physical
environment and community as well as the change of his perspective from a child
to now an adult.
© Tommy Lee Grimmer | SouthtownThe text accompanying Southtown is nostalgic and
evocative of innocent childhood — Kickpost, a game similar to hide and seek,
late ni
Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
Presence in the Absence
The story takes desolated buildings and structures as its starting point. Devoid of human presence, albeit designed and constructed by humans, these are places that were once the product of a utopian vision.
Case 3181
Nieves Mingueza is a Spanish documentary photographer whose work bridges
the gap between the conceptual, personal and political. She often works as
a multimedia artist using images as well as text, collage, video and
installation. In her own words, Mingueza “explores and activates the
archives to address social and gender
Ebbing Away of Identity with the Tides
Sushavan Nandy, based in Kolkata, focuses on the climate catastrophe, society,
culture and the crises experienced by humankind collectively. He enjoys working
on long-term photographic projects as it allows him to delve deep and explore
issues in depth rather than simply scratch the surface; he has been published by
the Guardian, CNN, New York Magazine, Vogue India, British Journal of
Photography, and many others.
As a young child Nandy experienced the effects of climate change. He lived in
Jal
Cinematic Decline
With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
