.svg){kind=small}
Recent Stories
Subscribe for new stories:
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Submit Your Stories
Presence in the Absence
The story takes desolated buildings and structures as its starting point. Devoid of human presence, albeit designed and constructed by humans, these are places that were once the product of a utopian vision.
Mark
I worked with Mark for two years documenting his experience of homelessness, heroin addiction and recovery in south London
On the first day of the Russian invasion
We are contacting photographers and authors who work in Ukraine to help spread
their stories. Here's the first one. Please share and join us in supporting
Ukrainians — the info is below.
On the first day of the invasion, nobody was ready for HOW nightmarish it would
be, nobody believed that this will end up with rocket strikes targeting civilian
neighborhoods of Kiyv and other cities. So, it is where we are now.
Evgeny Maloletka [https://www.evgenymaloletka.com/], a Ukrainian freelance
photojo
After The Fall
After the Fall is a body of work by Stewart Weir documenting the fall of
the Taliban when the city of Herat was taken over by the Northern Alliance.
The images were taken almost 20 years ago, in 2002, shortly after the Twin
Towers in the US fell on September
The place inside the head of False Creek
Amy Romer uses photography to gain understanding of the place that she decided to make her home by choice rather than birth. 5 years ago she moved to Canada and for her project The Place Inside the Head of False Creek she gives us the story of Sen̓áḵw.
One Hundred Yards From Home
A photographic exploration of family relationships and an inquiry into connection, history and the fragility of the tie between mother and daughter.
Beach Boulevard
Brian O’Neill is an Illinois-based sociologist and photographer whose work looks
at the human condition and society’s relationship to nature. He investigates the
various meanings of “industry” and how it affects local communities and
environments. Beach Boulevard, his first photographic publication, is a small
spiral-bound book in a small edition of 100. Rather than probing the typical
documentary question “what’s going on here” it delves deeper and wonders how we
actually got to our current sta
Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
While I Was Sleeping
While I Was Sleeping is the third part of a trilogy of projects that came out of that shift (the other two being After the Fact and Endless Plain). These projects, by and large, use documentary techniques and the resulting images look like documentary photographs, but they are not intended to document an event.
London '82
Sunil Gupta enrolled at the prestigious Royal College of Art in London in
the early 1980s. Having access to colour negative printing at the college,
the young photographer began to roam the streets of the Big Smoke searching
for the epicentres of queer life — Earl’s Court, King’s Road,
