The Corona Couch

May 18, 2023

Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.

Recent Stories

Kibera
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban settlements in the world which is situated on the periphery of Nairobi, Kenya’s capital with a population of approximately 2.5 million. Poverty, disease and crime are not uncommon when discussing Kenya and Africa in
Edwin Ndeke
A Wounded Landscape
Six years of traveling over 130 locations across 20 different countries to immortalize the stories of the Holocaust survivors and their ancestors.
Marc Wilson
Noora
A person’s own life ultimately comes to a screeching halt when their child is born. They are no longer fully free or the center of their own universe as there is that tiny human whose creation they were responsible for and who cannot take care of their own basic needs.
Shervine Nafissi
Hors-Jeu (Offside)
When we think of homosexuality, the world had made huge leaps in recent years. Gay marriage is now legal in the US and the UK, protections from discrimination exist in law, gay people are allowed to adopt children — events that we have come to accept as normal, as they should
Hannah Cauhépé
Coastal Mammoth
The 2011 tsunami caused an unprecedented amount of damage, chaos and grief. Everyone in Japan was affected in one way or another. The Japanese government soon began to erect a gigantic wall at the cost of billions in the northeast region of the country after the earthquake that caused the tsunami.
Pengkuei Ben Huang
The Sunshiners. Code Red in Green China
Plastic pollution may seem to be something that doesn’t have a monumental impact on our daily lives right now, but issues like climate change and pollution do not take a gradual curve. They do not have to slowly deteriorate, kindly giving us enough time to notice that something is
Daniel Hinks
Merlion Memories
Darren O’Brien’s project takes this fragile idea of the nature of memory as its starting point. He accompanied his partner on her return to Singapore, where she spent six years as a child, eighteen years later.
Darren O'Brien
Presence in the Absence
The story takes desolated buildings and structures as its starting point. Devoid of human presence, albeit designed and constructed by humans, these are places that were once the product of a utopian vision.
Karin van de Wiel
The body keeps the score
The Body Keeps the Score takes its mysterious title from a book he found on his mother’s shelf when he was clearing out her house after her death. It refers to how trauma, something most would consider to have purely psychological consequences, can actually be internalised and transpire within the physical body rather than just the mind.
David Lintern
Dirt Road
The story covers the famous Camino de Santiago de Compostela network of pilgrims’ ways that lead to the shrine of St. James the Great in Northern Spain. It’s a personal account of the photographer’s journey which lasted over 1000km throughout the spiritual passage.
Isaac Kirby

mnngful Originals

mnngful Members

Floriana Avellino
IT
,

Lewis Greener
UK
,
London

Geordie in London. Youth and community worker who takes photos and film. Mainly b&w just because thats what darkroom I've got access too.

Conrado Velasco
IE
,
Kilkenny

Photographer and Art Director born and educated in Manila, Philippines. Presently divides time between Kilkenny, Ireland & Berlin, Germany.

John Angerson
UK
,

Documentary and portraiture photographer, based in London He started his career in the early 1990s, covering the fall of the Berlin Wall and the changing geopolitical landscape of Eastern Europe. Since then, his work has continued to explore the different languages of documentary photography, focusing on how specific communities form, shift and develop. His projects have garnered critical acclaim and have been exhibited at major art institutions in the UK and overseas.

Joanne Coats
UK
,
Dales

Documentary photographer based in the North of England. She is interested in modes of production, rurality, and class inequality. Her practice is as much about process, participation and working with communities as photography. Coates’ key themes are Northern culture in rural places and working-class life. In 2020 she was commissioned as Artist in Residence at Berwick Visual Arts. In 2021 she was commissioned as an artist working on the Tees-Swale project looking at social justice and the rural, she was also a winner of the Jerwood /Photoworks award. Joanne’s work has been exhibited both in the UK and internationally in venues including The Royal Albert Hall, Reveal-T Photography Festival, Cork Photo Festival and Somerset House. In 2012 during her Foundation year she was awarded a Metro Imaging Portfolio Prize, a Magnum Portfolio Review and The Ideastap innovators award. Upon graduation, she was awarded Magenta Flash Forward Top 30 emerging talent in the UK, 2016. Joanne was one of the artists working in Hull, for the UK City of Culture in 2017. She was one of the 209 female photographers to photograph MPs for the centenary of the vote. She is a member of Women Photograph. A co-founder of Form Collective.

Alan Gignoux
UK
,
London

Documentary photographer born in the United States and now based in London. Gignoux has been working as a professional documentary photographer with photographic agencies and independently since 2000. He also works as a cameraman on documentary film projects. Recent film work includes “We made Every Living Thing from Water” and “A Letter from Venezuela.” His award-winning work has been exhibited all over the world.

Louis Sartori
UK
,
London

Independent Photojournalist and Writer focusing on matters of cultural obscurity, documenting groups/spaces on the borders of popular recognition.

Sabrina Jeblaoui
DE
,
Berlin

Documentary and street portrait photographer based in Berlin. Started discovering the role electronic and techno music played within the party scene in Berlin since she moved there in 2017 and has decided to take photographs of people in front of clubs. NachtClubsBerlin is Sabrina’s first complete photo project. It gathered more than 28K followers on its Instagram account and caught the attention of several magazines, newspapers, as well as TV channels such as ZDF MorgenMagazin, Tagesspiegel, Ze.tt, Mix Mag, Vice, and more.

Cheryl Newman
UK
,
London

Artist and independent curator of photography living in London. She recently completed and MA in Photography Arts at the University of Westminster (Distinction) Her personal practice explores her history though archive and family images and the environment of memory For the past three years she has been working with the Gaia Foundation to commission and curate We Feed the World, a photographic global adventure documenting the lives of family and peasant farmers for an exhibition which premiered at the Barge house Gallery, London, in Autumn 2018. She curated 209 Women, one of the highest profile exhibitions of 2018 in which all the female MP’s in the UK Parliament were photographed by women photographers to celebrate 100 years of suffrage and which moved to Open Eye Gallery Liverpool in February 2019 and is now part of the Parliamentary Art collection. For more than fifteen years she was the Photography Director of the award-winning Telegraph Magazine where she raised the profile of the magazine and commissioned intelligent and inventive photography worldwide.

Benedict Stenning
FR
,

Documentary photographer whose work is primarily concerned with investigating peoples experiences with their proximal surroundings. Benedict is interested in the relationships we as human beings form with our environs and each other while seeking to subvert perspectives; identifying and capturing liminal spaces to form narratives and provoke an emotional response. Benedict was brought up with the arts from a young age and has an innate appreciation for the powers of story telling. His grandfather, Moran Caplat CBE, was General Manager at Glyndebourne opera house in the Sussex countryside for over 30 years and his father was a stage manager at the BBC and later an associate producer in film.

Hussain Ali
UK
,
London

British-Iraqi documentary photographer based in London. His work is rooted in our connection to the land and social identity. He is interested in documenting stories that inspire us to consider our relationship with nature and wildlife.

James Hopkirk
UK
,
London

Documentary photographer, journalist. Began his career as a local newspaper reporter in Kent before moving to The Sunday Times and ITV. Spent six years as Editor of IdeasTap, a charity that helped young people to build careers in the arts and media. As a freelance writer and photographer James worked on stories in Afghanistan, Benin, the Democratic Republic of Congo, Haiti, India, Rwanda, Somalia and Uganda.

Verity Adriana
UK
,

Visual artist who uses light, installation and photography to investigate the phenomenology of the metaphysical and existential. She has been a practicing and exhibiting artist for over a decade. Adriana was born in Hull, UK, and grew up around the world wherever her mother found work, including Spain, Egypt and the United Arab Emirates. Adriana returned to Hull independently at the age of 14 to see herself through her final years at school and went onto establish herself in the regional arts community.

Marc Wilson
UK
,
Bath

Documentary photographer working on long-term documentary projects, such as his previous work, completed in 2014, ‘The Last Stand’ and his current work, ‘A wounded landscape’. Marc tells stories through his photography, focusing at times on the landscape itself, and the objects found on and within it, and sometimes combining landscape, documentary, portrait and still life, along with audio recordings of interviews and sounds, to portray the mass sprawling web of the histories and stories he is retelling.

Nathalie Bertrams
GR
,
Athens

I am a freelance photojournalist and National Geographic Explorer reporting on environmental conflicts, human rights and social justice. My work is published in The Guardian, Süddeutsche Zeitung, Al Jazeera, BBC, De Groene Amsterdammer and NRC. I also make TV documentaries for Arte.

Stories worth seeing

mnngful is a platform supporting independent documentary photography & photojournalism.

Thanks to passionate storytellers, we learn about matters that otherwise stay neglected. Stories that matter, but have not been covered enough are captured and told by passion-driven photographers and journalists.

They create because they care about the world they live in and tell us about matters beyond our eyesight.Their work is often driven by pure enthusiasm, fuelled by own beliefs and dreams for a better world. That's why such independent work is worth special attention.

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