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Charcoal of Cyprus
Tradition and family-run work of charcoal miners in Cyprus. We are very likely looking at the craft that is to become a thing of the past very soon.
Uprooted
Where the food we buy in the supermarket comes from, how it is produced and how it can be?
Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
Casitas
The project exposes the living conditions that Puerto Ricans have to endure such as natural catastrophes, limited government support and unstable electric service. Although the series began in 2013, it wasn’t until 2017 when Hurricane Maria hit Puerto Rico that Saldaña realised the series is something more than just a personal project — it is a testament of the residence of the local population.
Separation
The European Union, or the Council of Europe as it was known when it was founded
in 1949, brought in tremendous change to society permeating its very core. The
benefits were of economic, cultural and security nature but some also argued
that it erased their national identity. One of the biggest improvements, though,
was that one could travel, live and study in a place different from one’s birth
country unhindered — it has never been this easy to meet, fall in love with and
settle in with people
Hope, Despair and Miracles
Roxana Allison is a Mexican-British photographer whose work has a
predominantly socially-driven focus and explores the themes of belonging,
identity and place. She has extensive experience working with young people
and underrepresented communities spanning over 15 years and strives to
achieve social justice through her photography. Longsight is an inner-city
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
The Palaces of Memory
Stuart Freedman has the kind of experience in photojournalism that the word
“expansive” hardly does it justice. Born in London, he has been a
photographer for just over 30 years now and his photography has been
published in the likes of Life, National Geographic, Time, Newsweek, Der
Spiegel and The
Children of the war from evacuated maternity hospitals
First children of war are born. Maternity hospitals are evacuated to the basements in Kyiv and suburbs because
of Russian Attacks with bombs. Neonatologists, reanimations, baby care sp
The 2nd day. What it means to be there
Oleksandr Khomenko [https://www.facebook.com/oleksandr.khomenko] is a Kyiv-based
photographer who shows life in Ukraine as it is in independent media like
hromadske.ua [https://en.hromadske.ua/] and Ukrainer [https://ukrainer.net/en/].
For the second day, people with emergency bags and pets have been staying at the
Kyiv subway stations. The entrance is free.
Many people have found shelter at the ‘Politekhnichnyi Instytut’ metro station —
the hall is full. They are sitting on their suitcases,
