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The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
NachtClubsBerlin
This project documents today’s techno culture in Berlin, and shows how it has been transformed into a mainstream culture that attracts millions of tourists to the city each year.
Casitas
The project exposes the living conditions that Puerto Ricans have to endure such as natural catastrophes, limited government support and unstable electric service. Although the series began in 2013, it wasn’t until 2017 when Hurricane Maria hit Puerto Rico that Saldaña realised the series is something more than just a personal project — it is a testament of the residence of the local population.
Kibera
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban
settlements in the world which is situated on the periphery of Nairobi,
Kenya’s capital with a population of approximately 2.5 million. Poverty,
disease and crime are not uncommon when discussing Kenya and Africa in
Smoking Chefs
Jan Enkelmann lives and works in London where he spends his time observing
people. Many would think that photographers, especially street
photographers, go to the street, take countless images and that’s it, job
done. I would argue that it takes much more than that — many image-makers
would spend more
Submerged Landscapes
According to the Climate Central app, Thanet, the UK is likely to become an island again within the next decade. In this ongoing project, King documented the affected areas before they are submerged, using the materiality of the sea within the production of the work.
Beyond the sea
Great Britain, being an island, is surrounded by water. The outlier of
Europe, the Brits have always had a thing for their coastal towns.
Bournemouth, Brighton, the Kent coastline, are the ones that come to mind
first. The sea is hugely important for many industries — tourism, fishing,
transport. Often mocked
Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
A Rural Lifeline
Joanne Coates is a photographic storyteller from a working-class background.
Based between Yorkshire and Scotland, she depicts everyday stories with a
documentary approach. Apart from this, Coates has also done work in the
commercial sector with clients including the BBC, Vice, Financial Times, The
Guardian, and more.
Coronavirus: A Rural Lifeline in North Yorkshire shows how rural communities,
away from the hub of the big city, managed to cope with isolation when social
distancing became the n
Hope, Despair and Miracles
Roxana Allison is a Mexican-British photographer whose work has a
predominantly socially-driven focus and explores the themes of belonging,
identity and place. She has extensive experience working with young people
and underrepresented communities spanning over 15 years and strives to
achieve social justice through her photography. Longsight is an inner-city





