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The losses to be never ever forgiven
No words and tears are enough.
Evgeny Maloletka [https://www.evgenymaloletka.com/], a Ukrainian freelance
photojournalist based in Kyiv, tells the story of the Mariupol attack via the
death of a small girl who was brutally attacked with her parents.
A list of answers to the questions "What can I do to help?"
[https://www.mnngful.com/stand-with-ukraine]
Reached Ukrainian friends, checked the sources and give you a list of options,
direct links to organizations where to donate.
The list is bei
Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
The place inside the head of False Creek
Amy Romer uses photography to gain understanding of the place that she decided to make her home by choice rather than birth. 5 years ago she moved to Canada and for her project The Place Inside the Head of False Creek she gives us the story of Sen̓áḵw.
Hope, Despair and Miracles
Roxana Allison is a Mexican-British photographer whose work has a
predominantly socially-driven focus and explores the themes of belonging,
identity and place. She has extensive experience working with young people
and underrepresented communities spanning over 15 years and strives to
achieve social justice through her photography. Longsight is an inner-city
Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
Tea Women
Tea is one of the major discoveries from the East which completely transformed Western economies a few centuries ago. Unfortunately, as with many industries producing goods, we enjoy and can barely live without, exploitation is rife.
Casitas
The project exposes the living conditions that Puerto Ricans have to endure such as natural catastrophes, limited government support and unstable electric service. Although the series began in 2013, it wasn’t until 2017 when Hurricane Maria hit Puerto Rico that Saldaña realised the series is something more than just a personal project — it is a testament of the residence of the local population.
Merlion Memories
Darren O’Brien’s project takes this fragile idea of the nature of memory as its starting point. He accompanied his partner on her return to Singapore, where she spent six years as a child, eighteen years later.
After The Fall
After the Fall is a body of work by Stewart Weir documenting the fall of
the Taliban when the city of Herat was taken over by the Northern Alliance.
The images were taken almost 20 years ago, in 2002, shortly after the Twin
Towers in the US fell on September






