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Cinematic Decline
With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
Metropole
Once the Metropole or mother city at the heart of a vast global empire, London is now the dominion to a new world power. Subject to the flows of global finance and whims of markets, the city has become little more than an investment opportunity for multinational developers and overseas investors. Metropole records the brutally disorientating effects of this by documenting these legions of new corporate and residential blocks as they are constructed and occupied.
Hasankeyf
Hasankeyf is an ancient town in Southeastern Turkey, located along the Tigris
river in the Batman province. It was established in the 18th century BC and in
1981, almost 3600 years later, it was declared a natural conservation area by
Turkey. In spite of this, it’s been regularly flooded as part of a dam-building
project, regardless of the concerns raised by the local population and the
international community.
Hussain Ali is a British-Iraqi documentary photographer who is interested in
capturi
In-A-Gadda-Da-England
National oddities and peculiarities were the starting point for Edward Thompson’s project In-A-Gadda-Da-England. Born and bred in the U.K., he offers his viewers the perspective of an insider who had spend his whole life surrounded by British culture
St Paul's Cathedral — The Central Spot Of All The World
Architecture with religious purposes has quite different functions from
residential or commercial. While the latter is mainly functional and
economic, the former intends to be grandiose. It’s very much part of its
design to make humans feel small, minute and God, or whoever the deity is,
appear grand, larger
Branches of a Tree in Winter
Zak Dimitrov moved to London in 2015 and by 2018 he had been on over 100 dates. The man he was going out with at the time, Reggie, turned out to be, as cliche as it sounds, his photographic muse, partially caused by practicalities as he had very little spare time, all of which was spent with Reggie, and he had to take pictures for his final MA project.
Missed Care
The referendum on the UK’s membership of the EU was one of the most divisive
moments in modern history — back in 2016 and ever since then, the country felt
more polarised than ever before with a clearly growing sense of “us” and “them”.
People were either unable to or would refuse to see some of the good points that
the other side was making. The Remain side was branded “Project Fear” as they
were providing predictions of what would happen. Some of these didn’t happen,
but others, unfortunately,
The Palaces of Memory
Stuart Freedman has the kind of experience in photojournalism that the word
“expansive” hardly does it justice. Born in London, he has been a
photographer for just over 30 years now and his photography has been
published in the likes of Life, National Geographic, Time, Newsweek, Der
Spiegel and The
Azerbajiani Stories
In Azerbaijani Stories the photographer Onur Tatar had created what he
calls composite portraits. These are the stories of ten people from
Azerbaijan combined with their portraits and images of places of
significance. As Tatar says, topography, or the arrangement of both natural
and artificial physical features of an area,
Soul Calling
Soul Calling is a collection of photographs taken between 2016 and 2019 along the coast of Northeast Japan.
