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Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
Hors-Jeu (Offside)
When we think of homosexuality, the world had made huge leaps in recent
years. Gay marriage is now legal in the US and the UK, protections from
discrimination exist in law, gay people are allowed to adopt children —
events that we have come to accept as normal, as they should
The Steel Plant Mothers
Wilfully ignoring the pleas of the local and national population, the Ilva plant, Europe’s largest steel plant, is portrayed as prioritising profit over people's lives.
On the first day of the Russian invasion
We are contacting photographers and authors who work in Ukraine to help spread
their stories. Here's the first one. Please share and join us in supporting
Ukrainians — the info is below.
On the first day of the invasion, nobody was ready for HOW nightmarish it would
be, nobody believed that this will end up with rocket strikes targeting civilian
neighborhoods of Kiyv and other cities. So, it is where we are now.
Evgeny Maloletka [https://www.evgenymaloletka.com/], a Ukrainian freelance
photojo
Case 3181
Nieves Mingueza is a Spanish documentary photographer whose work bridges
the gap between the conceptual, personal and political. She often works as
a multimedia artist using images as well as text, collage, video and
installation. In her own words, Mingueza “explores and activates the
archives to address social and gender
Black Eyed Dog
The author opens up about his own struggles with Black Eyed Dog — A Photographic Healing Process. It was born out of a breakdown, a complete shutdown of his nervous system which made him find himself in a dark, gloomy place, one which he has never visited before.
Someone's Rubbish
The project is a case study of what we value, as a society but also as individuals, and draws a comparison between what we once felt useful to buy or take as it served a purpose but it no longer does.
Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
Ebbing Away of Identity with the Tides
Sushavan Nandy, based in Kolkata, focuses on the climate catastrophe, society,
culture and the crises experienced by humankind collectively. He enjoys working
on long-term photographic projects as it allows him to delve deep and explore
issues in depth rather than simply scratch the surface; he has been published by
the Guardian, CNN, New York Magazine, Vogue India, British Journal of
Photography, and many others.
As a young child Nandy experienced the effects of climate change. He lived in
Jal
Soul Calling
Soul Calling is a collection of photographs taken between 2016 and 2019 along the coast of Northeast Japan.
