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A Rural Lifeline
Joanne Coates is a photographic storyteller from a working-class background.
Based between Yorkshire and Scotland, she depicts everyday stories with a
documentary approach. Apart from this, Coates has also done work in the
commercial sector with clients including the BBC, Vice, Financial Times, The
Guardian, and more.
Coronavirus: A Rural Lifeline in North Yorkshire shows how rural communities,
away from the hub of the big city, managed to cope with isolation when social
distancing became the n
The body keeps the score
The Body Keeps the Score takes its mysterious title from a book he found on his mother’s shelf when he was clearing out her house after her death. It refers to how trauma, something most would consider to have purely psychological consequences, can actually be internalised and transpire within the physical body rather than just the mind.
Hope, Despair and Miracles
Roxana Allison is a Mexican-British photographer whose work has a
predominantly socially-driven focus and explores the themes of belonging,
identity and place. She has extensive experience working with young people
and underrepresented communities spanning over 15 years and strives to
achieve social justice through her photography. Longsight is an inner-city
Chance Encounters in The Valley of Lights
Chance Encounters in the Valley of Lights tells the story of an unsolved extraterrestrial case from 1980s Todmorden, West Yorkshire. Photographer Rik Moran combines original imagery with never-before-seen archival material to investigate the possible alien abduction of PC Alan Godfrey. In illuminating one of small-town England’s most unlikely protagonists, Chance Encounters unearths another other-worldly mystery along the way.
Small Town Inertia
Jim Mortram’s Small Town Inertia is an ongoing project which shines a light on the real life consequences the so-called “A-word” is continuing to have on communities, over a decade since its introduction. It wreaks havoc on the most vulnerable in our society and it targets those who can least afford basic necessities.
Soul Calling
Soul Calling is a collection of photographs taken between 2016 and 2019 along the coast of Northeast Japan.
How western part of Ukraine helps refugees from the attacked areas
Serhiy Gudak from the city of Uzhorod, Ukraine.
The western region of Ukraine is well known for its hospitality. Nice food and
people. Today, millions of people are moving to the west from the areas which
are bombarded by Russian troops. The road can take 20-40 hours. Most people
travel light - only documents, cell phones, and their loved ones.
A list of answers to the questions "What can I do to help?"
[https://www.mnngful.com/stand-with-ukraine]
Reached Ukrainian friends, checked the sour
Southtown
Tommy Lee Grimmer is a young photographer based in Great Yarmouth, East England,
which is, in fact, the part of the country which is the furthest East. His
project Southtown explores his hometown, the area where he grew up, its physical
environment and community as well as the change of his perspective from a child
to now an adult.
© Tommy Lee Grimmer | SouthtownThe text accompanying Southtown is nostalgic and
evocative of innocent childhood — Kickpost, a game similar to hide and seek,
late ni
Interior Design in the Age of Extinction
Conrado Velasco is a photographer and art director born and educated in the
Philippines. He currently divides his time between Ireland and Germany and here
we present you his body of work Interior Design in the Age of Extinction.
By Velasco’s own admission, he tends to look at the environment in zoos as a
theatre for the uncanny, exuding the sense of something being ever so slightly
off. They are “illusory spaces” devoid of the natural habitat and surroundings
of its animal occupants — there ar
Cinematic Decline
With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
