Recent Stories
Subscribe for new stories:
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Submit Your Stories
I want it all to go back to the way it was before
Pippa Healy is a photographer, artist and printmaker based in London. Her
raw, diaristic practice responds to events that have occurred in her life,
therefore it has a unique sense of authenticity. Healy’s work references
loss, grief, longing and violence and it’s rather difficult to pigeonhole
as every
Birdman
The project attempts to record the slow death of a culture — Pigeon racing as a typically British sport — that has changed beyond recognition since its inception. The photographs are extraordinarily rich and full of detail — the birds bind them together, they are the common denominator, but there is so much more in the images than just the pigeons. I
Interior Design in the Age of Extinction
Conrado Velasco is a photographer and art director born and educated in the
Philippines. He currently divides his time between Ireland and Germany and here
we present you his body of work Interior Design in the Age of Extinction.
By Velasco’s own admission, he tends to look at the environment in zoos as a
theatre for the uncanny, exuding the sense of something being ever so slightly
off. They are “illusory spaces” devoid of the natural habitat and surroundings
of its animal occupants — there ar
Casitas
The project exposes the living conditions that Puerto Ricans have to endure such as natural catastrophes, limited government support and unstable electric service. Although the series began in 2013, it wasn’t until 2017 when Hurricane Maria hit Puerto Rico that Saldaña realised the series is something more than just a personal project — it is a testament of the residence of the local population.
Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
The 2nd day. What it means to be there
Oleksandr Khomenko [https://www.facebook.com/oleksandr.khomenko] is a Kyiv-based
photographer who shows life in Ukraine as it is in independent media like
hromadske.ua [https://en.hromadske.ua/] and Ukrainer [https://ukrainer.net/en/].
For the second day, people with emergency bags and pets have been staying at the
Kyiv subway stations. The entrance is free.
Many people have found shelter at the ‘Politekhnichnyi Instytut’ metro station —
the hall is full. They are sitting on their suitcases,
The place inside the head of False Creek
Amy Romer uses photography to gain understanding of the place that she decided to make her home by choice rather than birth. 5 years ago she moved to Canada and for her project The Place Inside the Head of False Creek she gives us the story of Sen̓áḵw.
Beyond the sea
Great Britain, being an island, is surrounded by water. The outlier of
Europe, the Brits have always had a thing for their coastal towns.
Bournemouth, Brighton, the Kent coastline, are the ones that come to mind
first. The sea is hugely important for many industries — tourism, fishing,
transport. Often mocked
Children of the war from evacuated maternity hospitals
First children of war are born. Maternity hospitals are evacuated to the basements in Kyiv and suburbs because
of Russian Attacks with bombs. Neonatologists, reanimations, baby care sp
Metropole
Once the Metropole or mother city at the heart of a vast global empire, London is now the dominion to a new world power. Subject to the flows of global finance and whims of markets, the city has become little more than an investment opportunity for multinational developers and overseas investors. Metropole records the brutally disorientating effects of this by documenting these legions of new corporate and residential blocks as they are constructed and occupied.