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Birdman
The project attempts to record the slow death of a culture — Pigeon racing as a typically British sport — that has changed beyond recognition since its inception. The photographs are extraordinarily rich and full of detail — the birds bind them together, they are the common denominator, but there is so much more in the images than just the pigeons. I
I want it all to go back to the way it was before
Pippa Healy is a photographer, artist and printmaker based in London. Her
raw, diaristic practice responds to events that have occurred in her life,
therefore it has a unique sense of authenticity. Healy’s work references
loss, grief, longing and violence and it’s rather difficult to pigeonhole
as every
Kibera
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban
settlements in the world which is situated on the periphery of Nairobi,
Kenya’s capital with a population of approximately 2.5 million. Poverty,
disease and crime are not uncommon when discussing Kenya and Africa in
In-A-Gadda-Da-England
National oddities and peculiarities were the starting point for Edward Thompson’s project In-A-Gadda-Da-England. Born and bred in the U.K., he offers his viewers the perspective of an insider who had spend his whole life surrounded by British culture
100 days before conscription
Young Cypriots at months before unavoidable military service. Do they come to celebrate the upcoming life milestone or to protest against forced consription?
London '82
Sunil Gupta enrolled at the prestigious Royal College of Art in London in
the early 1980s. Having access to colour negative printing at the college,
the young photographer began to roam the streets of the Big Smoke searching
for the epicentres of queer life — Earl’s Court, King’s Road,
NachtClubsBerlin
This project documents today’s techno culture in Berlin, and shows how it has been transformed into a mainstream culture that attracts millions of tourists to the city each year.
Found in Nature
Barry Rosenthal brings our attention to this pertinent issue. His pictures of colourful plastic packaging of crisps, chocolate and other snacks are reminiscent of Andreas Gursky — a startling number of objects creating a pool of words and colours to a dizzying effect. They are found man-made objects that the artist has collected and photographed.
A frightening lull in anticipation of the unknown
Imagine being there, in full absence of clarity what's going to happen next
minute, hour and day. Is there a future? If so, how does it look? The whole
world can not answer this question facing a tyrannous psycho, a hostage of his
own crimes on a global scale, entangled in his own lies. All we admire, adore and pray for the Ukrainian people whose will for freedom is
the most inspiring thing these days.
Ebbing Away of Identity with the Tides
Sushavan Nandy, based in Kolkata, focuses on the climate catastrophe, society,
culture and the crises experienced by humankind collectively. He enjoys working
on long-term photographic projects as it allows him to delve deep and explore
issues in depth rather than simply scratch the surface; he has been published by
the Guardian, CNN, New York Magazine, Vogue India, British Journal of
Photography, and many others.
As a young child Nandy experienced the effects of climate change. He lived in
Jal
